

Those who travel, build and live in a place increasingly ask where the things in front of them come from: who made them, in which workshop, with what material.
MA·MA answers with a record: every piece comes with the name of the person who created it, its origin and its process, so that the value created in the islands can be shown and stays here.
An interior is no longer chosen only for how it looks. It is also chosen for what it can tell.
What was once only aesthetics is now also origin
WHAT MA·MA
BRINGS
A story with no risk

The local, told through concrete facts: names, techniques, places. The kind of claim that can be stood behind.
A sense of place

Work that could only exist here, for spaces that do not want to look like any other.
Provable origin

Every piece comes with its record: who made it, in which workshop, with what material and through what process. A fact you can show, not an adjective.
Value that stays

The interior design budget becomes work for the island's creative community.
who we work for
MA·MA brings Makers, interior design studios, hotels and owners together so that local creation is part of each project from the very beginning, with a single point of contact and clear terms for everyone involved. We work with four kinds of client.
WHAT LIES BEHIND EVERY PROPOSAL
Since 2024, MA·MA has built something that cannot be bought.
It grows project by project, Maker by Maker, conversation by conversation.
1
Cultural relevance
MA·MA's story has been told in the islands' media, in Spanish and in English, because it rests on real names and real work.
2
A curated network
Makers selected for the Observatory, from object to construction: artwork, pieces, spaces and building. The selection is the product.
3
Reputation
We work alongside interior design studios, boutique hotels and private residences. The trust of those who have already worked with the network is our best reference.
4
Relationships
A model of collaboration with the cultural and tourism institutions of every place we work in. We do not ask for support: we propose policy.
THE OBSERVATORY
The Observatory grew out of the cultural association behind MA·MA: it is its way of looking at, studying and documenting the work of the Makers of the territory.
It brings together creation taken to excellence, pieces that could only exist here and paths that deserve to be told.
Every year more Makers want to be part of it, and every year the selection follows the same criteria: getting in is a recognition, not a formality.
edition
26/27














The network is not on display. It opens.
The Observatory is MA·MA's curated archive: Makers documented through their work, their workshop, their materials and their path. It is not a public shop window: it is a space reserved for MA·MA's clients.
PEOPLE
MA·MA was born from people who understand business as a way of caring: for creation, for the place and for those who live in it. Behind every project is a community that works with respect and clear agreements, and that measures success by what it leaves behind, not only by what it invoices.
The
Makers
The heart of everything. Their work, their workshops and their practice are the reason the network exists.
The
founders
Leela Romeo, CEO, and Gloria Domínguez, CFO, shape MA·MA's criteria and strategy.
Ambassadors
and team
Anke Boodack, hospitality ambassador, and Clare Morton, interior design ambassador, open doors and build relationships with hotels and studios. Alejandro Rubio looks after the network's finances.
The
collaborators
Studios, professionals and homes that trust the network and help it grow, project by project.













